#Logitech g pro gaming headset drivers#
#Logitech g pro gaming headset pro#

It’s easy to look past the overwhelming bass when listening to music because it makes games that much more impactful. The sound quality is great for most things.

#Logitech g pro gaming headset pro#

The Logitech G Pro pretty much nails that. Logitech took pro gamer feedback in the design of these, and it would seem some pro gamers are tired of looking like shimmering cuttlefish and just want a serious pair of headphones that commit every dollar to build and sound quality. The Logitech G Pro is undeniably a quality headset. Janelle Monáe came through silky smooth with Kevin Barnes in Of Montreal’s “Enemy Gene” despite the heavy bass. Nothing so soft that we’d say we were dissatisfied though. The great low-end performance is somewhat offset by what we felt was a tad softer tones at the high and mid-high ends of the spectrum, partly because the powerful bass overwhelmed them at times. When we realized how well they kicked, we threw on Daft Punk’s “Contact” to bask in the drum solo, and bask we did. Drums especially kick and floor toms, shine cleary with this headset’s wide soundstage. You can feel it giving your head a little rumble. The punchy bass really shows in music, where it’s heavy and up front. Barking orders and screams always come through clear for our teammates.īeyond games, the Logitech G Pro are pretty nice for listening to music with.

And, the microphone does a good job of ignoring background noises as well, picking up our voice more than anything else.

#Logitech g pro gaming headset drivers#

The power of the speaker drivers combined with the isolation easily drowns out loud external noises. This makes for a soundstage that feels more open, which helped us distinguish between different sounds in busy game environments. The ear cups offer a decent amount of noise isolation, but don’t leave your ears feeling like they’re boxed in a small room. The headset still manages to make sound more comfortable and easier to pick out than other headsets. We can get a sense of front, back, left and right in games, but aren’t always sure how far we need to turn to avoid our demise. Ripping up uruks in Shadow of War and blowing up walls in Rainbow Six Siege all sounds great while playing, but we never feel like we are getting the type of pin-point positional audio surround-sound headphones try to create. The incredible low-end punch of these headphones amps up the realism to make up for the game’s vehicle physics. While caught in PUBG’s red zone, the explosions are so tremendous that we swore they had just been patched to be louder. The Logitech G Pro offers admirable sound performance, particularly in how punchy it could be. Fortunately, the braided cable doesn’t introduce too much noise and the in-line controls are small enough that not clipping them isn’t a problem. They’re quite high up on the cable, with a mute switch and volume wheel, but the shirt clip is tiny, and mostly useless unless you have a breast pocket with a thin hem. The only real drawback in the design is the in-line controls. It includes a small pop filter on the end, and the arm is made of a highly flexible metal that makes positioning it easy. The microphone is subtle, maintaining the low-key gamer aesthetic and excellent build quality. The ear pads have wide, rectangular openings to fit even large ears easily.

The large, soft ear pads do a good job of distributing the pressure, though sometimes we had minor discomfort in our upper jaw muscles. Once fitted, the headset offers noticeable but not excessive clamping force. The ear cups can swivel up and down as well, so they easily conform to the wearers head. They’re held on with C-shaped arms that rotate about 100 degree, letting them lie flat on your chest or pack away into a bag, or open forward slightly so you can hear someone talking to you without completely removing the headset. The ear cups are a soft, matte black plastic that feels nice, though they pick up grease marks and fingerprints easily.